Posts Tagged: Elizabeth Masterton
RAF Drytree building identification project
Elizabeth Masterton has been working with researcher Benjamin Oldcorn to unravel the mysteries of some of the derelict buildings on the RAF Drytree site. The RAF Dry Tree/Goonhilly NNR Building Identification Project report was commissioned by Natural England to form
RAF Drytree building identification project
Elizabeth Masterton has been working with researcher Benjamin Oldcorn to unravel the mysteries of some of the derelict buildings on the RAF Drytree site. The RAF Dry Tree/Goonhilly NNR Building Identification Project report was commissioned by Natural England to form
THE SEAT OF CYCLOPS
New work presented last weekend at HAPPIDROME; this time WITH sound. The images below show a glimpse of how the projection interacted with the fabric of the building, a little window on dilapidation. They remind me of prints that I
THE SEAT OF CYCLOPS
New work presented last weekend at HAPPIDROME; this time WITH sound. The images below show a glimpse of how the projection interacted with the fabric of the building, a little window on dilapidation. They remind me of prints that I
september happ(i)nings..part deux
September events at HAPPIDROME continue on Saturday 26th September with two open events. Sara Bowler, Elizabeth Masterton and Paul Ridout will be showing documentary work of some of their experiments this season, plus some new offerings. Paul Carter and Alexandra
september happ(i)nings..part deux
September events at HAPPIDROME continue on Saturday 26th September with two open events. Sara Bowler, Elizabeth Masterton and Paul Ridout will be showing documentary work of some of their experiments this season, plus some new offerings. Paul Carter and Alexandra
‘there’ll always be an England’ redux
After devising ‘there’ll always be an England’ as a participatory work for Happidrome One, it was recreated during ‘offsite:inside’ curated by Sara Bowler at Newyln Art Gallery, 2008. I was curious to see how the meaning of a site specific
‘there’ll always be an England’ redux
After devising ‘there’ll always be an England’ as a participatory work for Happidrome One, it was recreated during ‘offsite:inside’ curated by Sara Bowler at Newyln Art Gallery, 2008. I was curious to see how the meaning of a site specific
